In the fourth episode of Wolf Hall: The Mirror and the Light, titled "Jenneke," the narrative delves deeper into the complexities of power, loyalty, and the human condition within the Tudor court. This episode stands out for its portrayal of Thomas Cromwell and Henry VIII at their most vulnerable and human, as well as for its intricate political machinations that keep viewers engaged and invested in the fate of the characters .
The episode begins with a stark reminder of the fragility of life and the omnipotence of the king. The Holbein painting, a symbol of Henry's vanity and insecurity, is now complete, and the king's reaction to his own magnificence is a study in contrast to his concern for Jane's pregnancy . The birth of a male heir, Edward, is a moment of joy and pride for Henry, played out in a scene reminiscent of Simba's presentation in The Lion King, a testament to the king's desire for a legacy .
However, this joy is short-lived as Jane's health deteriorates. The vulnerability of the king is laid bare as he whispers to Cromwell about his willingness to walk to Jerusalem to save Jane, a rare glimpse into the personal life of a man often seen as a ruthless monarch . Cromwell, too, is shown to be affected by Jane's condition, hinting at a deeper connection between them that adds a layer of complexity to his character .
Cromwell's position as the second most powerful man in England makes him a target for the ambitions of others. The episode highlights the political intrigue as the Privy Council, led by Norfolk, begins to angle for the king's remarriage, seeing Jane's death as an opportunity rather than a tragedy . Cromwell's humanity makes him vulnerable, and his frustration is palpable when he speaks out of turn about Jane's neglect, revealing his emotional investment in her well-being .
The chess game between Henry and Cromwell is a metaphor for the ongoing power struggle. Henry's decision to wear white, the color of mourning, while the rest of the court is in black, is a symbolic gesture that underscores his unique position and the expectations placed upon him . Cromwell's task to find a suitable bride for the king is further complicated by the political landscape, with the Peace of France and Spain threatening England's stability .
Cromwell's strategic moves to secure England's future are on full display as he navigates the treacherous waters of international politics. His decision to arrest Geoffrey Pole and send Thomas Wyatt as an ambassador to the Emperor are calculated risks aimed at protecting the Reformation and England's interests . The episode also sees Cromwell's personal stake in the political game, as he works to prevent Mary from ascending to the throne, which would undo years of his work on the Reformation .
The episode also explores Cromwell's personal life, with the introduction of his daughter Jenneke, a fictional character created by Hilary Mantel . Jenneke's arrival prompts Cromwell to reflect on his past and consider an alternative life, one that is simpler and free from the constraints of courtly life . However, Cromwell's commitment to the Reformation and his ambitions for his family make it clear that he is too invested to turn back .
"Jenneke" is a powerful episode that showcases the intricate balance of power, emotion, and strategy within the Tudor court. It humanizes Cromwell and Henry, revealing their vulnerabilities and the heavy burden of their responsibilities. The political intrigue is palpable, with each character's actions having far-reaching consequences. As the episode concludes, viewers are left to ponder the fragility of Cromwell's position and the future of England under Henry's rule. The game of thrones continues, with each move carefully calculated and the outcome uncertain, making for a compelling and thought-provoking viewing experience .